I
Isfahan
اصفهانDome geometry and turquoise faience, abstracted to a single breathing form. The mosque as line, not monument.
Tār
Tehran · Amsterdam · Est. 2026
Persian heritage objects for the contemporary interior
IsfahanاصفهانLutلوتRashtرشت
Why “Tār”
Tār is the thread — the warp that holds a carpet together, the string of an instrument, the line a pattern travels across six centuries to reach your wall.
تار — نخ، رشته، تار
The Collections
II
Lut
لوتThe desert at its emptiest — heat, horizon, and the long shadow of a caravan that passed centuries ago.
III
Rasht
رشتCaspian green and needlework crimson. The embroidery tradition of Gilan, redrawn as landscape.
The Collections
I
Isfahan
اصفهانDome geometry and turquoise faience, abstracted to a single breathing form. The mosque as line, not monument.
II
Lut
لوتThe desert at its emptiest — heat, horizon, and the long shadow of a caravan that passed centuries ago.
III
Rasht
رشتCaspian green and needlework crimson. The embroidery tradition of Gilan, redrawn as landscape.
The July Release
انتشار تازهEdition of the month · No. 1 of 3
Isfahan 02
اصفهانThe dome of Sheikh Lotfollah, reduced to line and faience turquoise. The first plate in the July release.
- Digital edition · instant download
- Print up to 50 × 76 cm
- Archival master · numbered
Anatomy of an edition
Every line has a source
Nothing here is a motif for motif's sake. Each edition is traced back to a building, a manuscript, a loom — then redrawn until only the essential geometry remains.
- Dome geometrySheikh Lotfollah, reduced to line
- Archival paletteFaience turquoise · bone · terra
- Numbered editionMaster proofed to 76 cm
A pattern is a message that outlives its messenger.
The palette we work from
Five pigments · six centuries
Firouzeh
Faience turquoise · #2E8C8A
Zaferan
Saffron gold · #D4952A
Anar
Pomegranate crimson · #8B1A2C
Nil
Indigo cobalt · #2B4B8C
Khāk
Earth terra · #C4622D
Our Practice
One editorial eye
Every piece is chosen, redrawn and released by a single hand. No licensing, no stock motifs.
Heritage, not pastiche
We work from the primary sources — tile, manuscript, textile — and let them breathe in negative space.
Made to be printed
Each edition ships as an archival digital master, proofed for prints up to 76 centimetres.